Graphic created by Bill Underhill



The Allman Brothers Band at The Coca-Cola Starplex Dallas, Texas 7/24/1999 Triple digit temperatures. Dallas traffic. A seemingly endless search for a liquor store...not a one of these kept us from getting to the Starplex in time to nab the exact lawn spot I was hoping for: dead center and stage level. A nice start to what turned out to be the finest of the three ABB shows Tina and I took in this season. The Brother's opening act in Dallas was the superb choice of Susan Tedeschi - backed by none other than Double Trouble, Stevie Ray Vaughn's old backup band. With a growling voice and guitar to match, Ms. Tedeschi proved herself worthy of the comparisons to Janis Joplin so many radio jocks have borrowed from each other. A thoroughly enjoyable hours worth; we hope to see more of this talented young woman. Barely fifteen minutes later, the house lights came down, the stage lights came up, and The Allman Brothers Band took the stage. Opening with one of their strongest numbers, True Gravity, the Brothers gave us one of the best nights we have had to date. They came to Dallas to play and proved it with no less than a twenty-five minute rendition of the opening tune, anyone taping that night got something special right from the start. This was followed by a fine version of Ain't Wastin' Time No More, with soulful vocals from Gregg, and equally powerful guitar from both Dickie and the new kid on the block: Derek Trucks. You Don't Love Me followed, with Gregg taking an extended run at the piano. Next, Good Times was served up, this night was the smoothest, cleanest performance of that song I have yet heard. Then, the unexpected. Nailing the opening chords like nobody's business The Bro's slammed into a fiery Statesboro Blues that showed off their collective talents. While I was paying attention to the triple threat of Butch Trucks, Jaimoe, and Marc Quinones, the guy in front of us leaned back to ask the wide-eyed question; "Who's the kid on the Gibson?" At the same time the woman behind us was leaning forward to say: "Will ya listen to that bass!" Following Derek Trucks smoking lead was apparently too much for Dickie, he had to answer...and did so by kicking in the fuzz-box and tearing off a blistery lead that took the sweat drenched crowd off their butts and into AllmanBrothersLand. By the time the band took their break, they owned the crowd. Dickie never sounded sweeter as he soared through Blue Sky, while the traditional Gregg Allman sway was in full tilt at the keyboards. Fifteen minutes of break time was filled with a Betty Boop cartoon, and the repeated question: "Who's the kid on the Gibson?" The veterans knew that answer and were quick to share their knowledge of everything Allman they had to offer. With their return to the stage, the band gave up two acoustic numbers: Seven Turns, and Melissa, both played sweetly, but from their relative brevity, it was evident that, at least this night, the Allman Brothers had other plans. Jessica was the next tune played, and again, Derek and Dickie made their presence known. For a change of pace, Gregg took us through Change My Way of Living, but only to prepare us for the next level: a hard-edged version of Dreams. Derek proved to be up to the demands of that number. An interesting note: this year marks not just the thirtieth anniversary of The Allman Brothers Band, it is also the thirtieth anniversary of the first Moonwalk, and The Brothers of Light, the light show company working with the band, took pains to demonstrate "The other anniversary" during Dreams. End of the Line was snarled through keeping the crowd geared up, I believe that this was the second song Dickie used the fuzz on (although I was so caught up by this time that I neglected to keep proper notes...). Finally, inevitably, the coup de gras: In Memory of Elizabeth Reed. Dickie took his time walking into this one, weaving the melody first one way, then another, he approached the main tune only when he felt the time was right, truly a masterful rendering of the intro to this instrumental. Derek played with his heart on this one, but it was the percussionists that really shone in the end. Butch Trucks, Jaimoe and Marc Quinones rattled, rang and rumbled through an intense drum movement replete with traded licks, signature changes, and a flashy finish. The resulting quiet was the perfect backdrop for Oteil Burbridge and his jazz bass/scat singing solo that never fails to amaze the uninitiated. Encoring with Nobody Left To Run with, the Allman Brothers left the Dallas, Texas crowd worn and happy. My only regret is that it may be the Beacon run before Tina and I have the chance to be transported beyond ourselves by this amazing group again... Looks like we'll be looking for some tapes.... Cliff Lake 7/27/'99 Copyright © 1999 Clifford A. Lake



The setlist for the 7/24/'99 show at Dallas, Texas was:
True Gravity (for 25 minutes!)
Ain't Wastin' Time No More
You Don't Love Me
Good Times
Statesboro Blues
What's Done Is Done
Franklin's Tower
Blue Sky

15 minute break complete with a Betty Boop cartoon

Acoustic:
7 turns
Melissa
Electric again:
Jessica
Change My Way of Living
Dreams
End Of The Line
Elizabeth Reed (Drums went on for like 25 minutes, Oteil did more
humming than scat this time)
Encore: No One to Run With




The Allman Brothers Band at Red Rocks Amphitheater in Morrison, Colorado 6/12/99
                 and Sandstone Amphitheater in Bonner Springs, Kansas 6/16/99

      Perhaps the hottest live band going has hit the road again with a new lineup, 
  new songs, and a new sponsor: NASCAR. 

      This reporter has been lucky enough to catch the first and fourth shows so far
  and I can tell you this: while the weather may be cool as yet, the Brothers are
  HOT! 

      This year The Allman Brothers Band opened at what has been called the finest
  outdoor venue anywhere, The Red Rocks Amphitheater in Morrison,Colorado. 

      Anyone that has been to Red rocks has been awed. Anyone that has seen a concert
  at Red Rocks has been amazed. Anyone that has seen the Allman Brothers at Red 
  Rocks has been transported. This year was no different. Gregg, Dickey,and 
  company have conspired once again to keep the ABB at the forefront of live 
  musical performance.

      Playing old standards, introducing new material, and jamming at every
  opportunity,the band opened their summer tour to a happy, and very expectant
  crowd. The news had gone out: founding member Butch Trucks nephew Derek 
  was officially part of the Brothers lineup. With his twentieth birthday just a week
  past, the tall, blonde young man had something to prove: that he was, is, indeed an
  Allman Brother.

      The opening song would tell the tale. Going back to their roots the ABB opened
  with an old fave: Don't Want You No More, an instrumental with more than a little 
  snap, that is traditionally followed by the blues anthem, It's Not My Cross To 
  Bear. Tough numbers played to a veteran crowd. When it came to be time for
  Derek's first official shot at an Allman Brothers guitar lead, he hit his Gibson SG
  hot and hard. Although somewhat shorter than I expected, young Mister Trucks
  proved to be competent,if somewhat stiff initially. After all, he had some major 
  reputations to live up to:Duane Allman (God rest ye), Jack Pearson, and Warren
  Haynes had all been frontmen for this band, and Derek was likely aware of the size 
  of all of those shoes. However,by the end of the first set, some of his nervousness 
  seemed to have waned, by which time he had won the approval of the crowd. 

      Dickey Betts came on strong from the first. His rhythm work during 
  Southbound was hot and slick, while his lead during the newest Betts instrumental; 
  J. J's. Alley was outstanding. Dickeys willingness to work with Derek showed 
  well;conferencing with the young man before starting the next tune all through the 
  evening.

      Gregg Allman smiled and pounded his Hammond B3 all night, providing some 
  snazzy leads and his usual soulful vocals. 

      Oteil Burbridge stayed hot and heavy, while the three-man drum team of 
  Butch Trucks, Jai Johanny Johanson, and Marc Quinones kept up the driving beats 
  that the Allman Brothers Band is known for.

      After a 15-minute break, the band hit the stage once more and opened their 
  second set with two acoustic offerings: Seven Turns and Melissa. These were 
  followed by an intense electrical set featuring an extended version of Blue Sky. 

      Two high points worth mentioning: the drum solo, and a nice pick-up by the 
  newest member of the band.
 
     The drums came out during the instrumental Les B'rers In A Minor. After
  having seen this band live nine times, that particular drum solo was one of the 
  finest I have ever witnessed, the communication between the three men was truly
  amazing.

      Now, Derek's cover. During the latter part of the encore, Jessica, Dickey
  seemed to have broken a guitar string during his solo, and had to hand the guitar
  off in exchange for another. Yet the sweet strains of the melody never stopped
  because Mr. Trucks had stepped in and picked up the lead and remaining perfectly
  in time while doing so. Very impressive. Altogether a fine effort by one America's
  premier rock bands.

      I left that show tired, happy, and wishing I was already at the next one.
  With good reason I was soon to find. A cool evening at The Sandstone
  Amphitheater in Bonner Springs, Kansas, just outside of KC, brought The Allman
  Brothers Band to a packed venue of veteran Brothers fans and new enthusiasts.

      From the first, Derek Trucks showed the crowd what being a lead guitarist for 
  this band really means. His improv style was gritty and free, lending a hard edge 
  to Dickey Betts instrumentals, and impressing an already enthusiastic crowd.

      This show was the fourth in the band's schedule for the summer and having the 
  first to compare to I noticed something two minutes into the first set: the band 
  had knitted. Derek has definitely found his niche, and the rest of the band has 
  also warmed up to this tour. This fourth show was extremely powerful. Both 
  guitarists played expansively. Gregg Allman's Hammond sounded sassy, particularly 
  during the classic In Memory of Elizabeth Reed. In fact, that number was exemplary 
  of all the band members: a hot extended drum solo from Butch Trucks, Jaimoe,and 
  Marc Quinones was followed by Oteil Burbridge and his jazz bass guitar/scat singing 
  solo, which was then followed by a short sweet by-play of drums and Derek and 
  Oteil playing off each other. Much smoke during that number. I found this band
  very ready to take on their tour. I have to say that no matter how much energy I
  expend at an Allman Brothers outing, I always leave wanting more,more, more.

     Thank God we've got our tickets for Dallas already.

        Cliff Lake
        6/19/99

  Copyright © Clifford Lake 1999



The setlist for the 6/12/'99 summer tour opener was:
Don't Want You No More
It's Not My Cross To Bear
Don't keep Me Wonderin'
Good Times
Please Call Home
Southbound
Statesboro Blues
Blackhearted Woman
J.J.'s Alley
Derek started warming up during this last song.
This was followed by a 15 minute break.
Then, the next two songs were acoustic:
Seven Turns
Melissa
Electric again on:
Sailin' 'Cross The Devil's Sea
Intro/Blue Sky
Leave My Blues At Home
Les B'rers In A Minor
Revival
The encore was Jessica.



Gregory Lenoir Allman - keyboards, lead vocals
Born December 8, 1947 in Nashville, Tennessee

Forrest Richard "Dickey" Betts - lead guitar, vocals
Born Dec. 12, 1943 in West Palm Beach, Florida

Jai Johanny Johanson "Jaimoe" - percussion
Born July 8, 1944 in Ocean Springs, Mississippi

Claude Hudson "Butch" Trucks - percussion
Born May 11, 1947 in Jacksonville, Florida

Derek Trucks - lead and slide guitar

Marc Quinones - percussion

Oteil Burbridge - bass


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